© Edgardo Gómez
Sylvia Iparraguirre, born in 1947, has gained considerable fame in Argentina as novelist, essayist and co-director of several magazine projects like El Escarabajo de Oro and El ornitorrinco, the latter against censorship and the military dictatorship. Currently, she teaches postgraduate courses at the University of Buenos Aires. She has published fiction and criticism in the daily newspapers Clarín and Página/12. In 1999, her novel La tierra del fuego was named as Book of the Year (Book Fair of Buenos Aires) and awarded the prestigious Sor Juana Inés de la Cruz Prize. La orfandad was short-listed for the prestigious Rómulo Gallegos Prize 2011. Iparraguirre was also awarded the Esteban Echeverría National Prize in 2012 in recognition of her body of work and, for Encuentro con Munch, the Platinum Konex Award in 2014.
A reader discovers, during childhood, that she can live another life in books. More intense, passionate, unknown to others. She reads hypnotically Cortázar, Tolstoy, Bakhtin, Borges. Before and after, two large libraries sustain her: that of her grandmother in Los Toldos and the one she shared with Abelardo Castillo, whose portrait becomes a loving memory. From a reading diary, an album of poetry and her personal memory, the critical thinking of Sylvia Iparraguirre is revealed in La vida invisible (“The Invisible Life”) through an avid and genuine narrative.
Literature was not solemn; you did not have to get on any podium to talk about it. (...) You had to take literature seriously, but you did not have to take yourself seriously.
volumes of short stories La Tierra del Fuego, her second novel, was
shortlisted for the 1998 Premio Alfaguara. At the Buenos Aires
Book Fair 1999 the work was awarded the prestigious Literary Critics Prize as Best Book of the Year (1998), and the Sigfrido Radaelli Prize by the Club
de los 13 for the best novel in 1998 and in
In 1830 the
“Beagle” sets sail from
Sylvia Iparraguirre, a disciple of Borges, has succeeded in reconciling two things: an analytical viewpoint and a delight in adventure stories, a highly poetic tone and unaffected passion. An eloquent meditation on civilisation and wilderness and the roots of a nation.
La Tierra del Fuego deals with European arrogance without resorting to the cliché of the ‘Noble Savage’.
This brilliant and beautifully wrought work deserves to become a classic.
This efficient and fragile book poses good questions about the human motivations of “missionaries” and scientists.
Fuego. Una biografía del fin del mundo (“Tierra del Fuego. A Biography
of the end of the World”) was first published as a coffee-table book and will
soon be available in a more handy edition. In her
introduction, Iparraguirre says: After its extensive journey
from the north, the Andes, South America’s imposing vertebral column, stretches
down to the continent’s southern most tip, crosses Tierra del Fuego’s Isla
Grande, slips under the Le Maire Strait and then emerges finally, like a
blackened, burned dragon’s tail in the Isla de Los Estados. This mountain
range, right at the end of the world, was, according to myth, a source of
shamanic power for the people of
El muchacho de los senos de goma (“The Boy with the Rubber Breasts”) is set in present-day Buenos Aires. Cristobal, or Cris, is seventeen years old and rather annoyed by his family home. His mother always takes his stepfather’s side, and he is always expected to help out in the workshop. He would rather be listening to music and indulging his passionate interest in philosophy. His teacher is Professor Mentasti, who invites him to attend advanced courses due to his incisive and independent reasoning.
One day he packs
his bags and leaves home. In a distant corner of
He gives up
his job as a seller of merchandise on the street - the rubber breasts, meant
for relaxing office workers, were a real flop! – and,
after a final talk to his Profesor who himself is passing through a crisis,
decides to leave
With a sure hand and shimmering storytelling Sylvia Iparraguirre leads her readers through a compartmentalised city, in which flights of intellectual brilliance and bitter poverty, hope and hopelessness stand side by side, and where people survive crises and occasionally grow from them. The final scene, a description of the waking city and a young man making his escape, reads like the crescendo to a piece of music that gets deep under your skin.
In a small town in the Argentine pampas, quiet Sonia grows up in an orphanage. Only when the anarchist trade unionist Bautista, who spent many years in prison as an innocent man, woos the young woman does she awake from her long years of paralysis and turn to face life.
Told in retrospective, the novel’s intensive characters and atmospheric descriptions of the broad landscapes of the Argentine pampas truly draw the reader in.
After El muchacho de los senos de goma, La orfandad ("The Orphaning") is the second part of a trilogy in progress portraying three generations of an Argentinean family.
This book confirms the privileged place that Sylvia Iparraguirre takes among our narrators. Here she presents us with one of the most moving and beautiful love stories in Argentine literature.
A disturbingly clear and very sensitive novel.
Encuentro con Munch
Buenos Aires: Alfaguara 2013, 200 p.
Platinum Konex Award 2014
La orfandad, Buenos Aires: Alfaguara 2010, 264 p.
Shortlisted for the Rómulo Gallegos Prize 2011
Italy: L’Asino d’Oro 2015
El muchacho de los senos de goma, Buenos Aires: Alfaguara 2007, 345 p.
German: Stockmann 2010 ● Italy: L’Asino d’Oro ● Netherlands: de Geus 2012
La tierra del fuego, Buenos Aires: Alfaguara, 1998, 286 p.,
pb punto de lectura 2006, DeBolsillo 2018
Sor Juana Inés de la Cruz Prize 1999
Literary Critics Prize as Best Book of the Year 1998
Sigfrido Radaelli Prize by the Club of the XIII for the Best Novel 1998
Brazil: Record 2001 ● France: Métailié 2001 ● Germany: Alexander Fest 1999, Büchergilde Gutenberg 2000, Fischer, pb 2001 ● Greece: Nikolopoulos ● Israel: Carmel 2011 ● Italy: Einaudi 2001 ● Netherlands: de Geus 2001 ● Portugal: ASA 2001 ● US: Curbstone Press 2000
El parque, Buenos Aires: Emecé 1996; Alfaguara 2004, 259 p.
Italy: Crocetti 2004
Del día y de la noche
Buenos Aires: Galerna 2015, 174 p.
Narrativa breve, Buenos Aires: Alfaguara 2005, 393 p.
ALIJA Prize 2003, the Argentinian section of the IBBY
El país del viento, Buenos Aires: Alfaguara 2003, 168 p.
Probables lluvias por la noche, Buenos Aires: Emecé 1993; Alfaguara 2009, 150 p.
En el invierno de las ciudades, Buenos Aires: Galerna 1988, Alfaguara, 158 p.
First Municipal Prize for Literature 1988
Tierra del Fuego. Una biografía del fin del mundo.
Together with the photographer Florian von der Fecht
Buenos Aires: Total Austral 2000, 112 p., first published by El Ateneo; Del Nuevo Extremo 2009, 223 p.
(Bilingual English-Spanish edition)
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