© Jorge Nogueira
Pepetela, born in Benguela in 1941, is one of Angola’s leading novelists. Distinguished by his consummate ability to combine personal and political elements within a historical context, he was awarded the Prémio Camões and the Prémio Nacional de Cultura e Artes. He occupied a leading position in the fight against Portugal’s colonialism and was a member of the first government after independence. Pepetela lives in Luanda.
Luanda, 1995: On the run from the horrors of civil war, thirteen-year-old Himba attempts to survive as a street child. After being raped and hurt, a well-intentioned local resident accommodates her and her friend Kassule at a church-run project. But soon Himba decides: You have always to fight for your own well-being.
Nearly 20 years later, the growing globalization presents a new challenge for the young Sofia: Can her little restaurant withstand the economic competition? As she uses the death of her business partner to secretly appropriate her share, her greed will cost her the close relationship with her brother: Deeply disappointed by the machinations of Sofia, Diego turns away from his beloved sister.
In Se o passado não tivesse asas (“If the Past had no Wings”) Pepetela presents two strong female characters in two interwoven storylines. But the violence of war and the brutality of the subsequent struggle for survival are not easily shaken off. On the way from street kid to businesswoman, during Luanda's development from theatre of war to cosmopolitan business centre, the past has grown wings.
The life of two young Angolan women perfectly serves Pepetela's aim of showing social disparities in Luanda and making visible the limits of some dreams.
Jornal de Negócios
Pepetela is capable of causing pain as only he can do through his poetic writing.
Diário de notícias
Heitor has always been shy, and when his latest girlfriend dumps him, he rents a run-down hut on the outskirts of Luanda to heal his broken heart. Listening to a particular radio programme, Heitor soon becomes addicted to the charming voice of its presenter Marisa. Through fate, they meet and fall in love. But Marisa is married… Featuring quirky and loveable characters, O tímido e as mulheres ("The Shy One and the Women") is not only a love story but also an entertaining portrait of today’s Luanda.
Set in the heart of Africa at the beginning of the 17th century, Pepetela’s novel À Sul. O Sombreiro (“In the South. The Sombreiro”) is full of adventure, political intrigues and magical elements. While the ruthless governor Cerveira founds the town of Benguela, the black native Carlos Rocha flees to the Savannah and stays with one of Africa’s fiercest warrior tribes to avoid a terrible fate.
Pepetela is an author who creates irony as if by magic.
The right book for anyone who wants to leave everyday life behind and find themselves in a different space and time.
Jornal de Letras
O Planalto e a Estepe ("The Highlands and the Steppes") tells a true story of great passion and suffering, scarred by a love nourished by hope and waiting. When Júlio is sent from Angola to Portugal to study medicine, he gets involved in clandestine communist cells. In Moscow, he falls in love with the Mongolian girl Sarangerel. But politics and tradition conspire against them, and Sarangerel is taken back to Mongolia. Will they ever meet again?
A journey in time and space, a journey of a generation tired of war in a world that is getting smaller every day.
Jornal de Letras
After this successful foray into crime fiction, Pepetela returns with the ambitious and powerful novel Os predadores (“The Predators”) that attempts to get to the heart of Angola's tragic recent history. The novel ostensibly revolves around the character of Vladimiro Caposso, an unscrupulous and opportunistic businessman, charting his rise and fall over the last thirty years.
Going back to the last days of Portuguese colonial rule, we find Caposso aged 18, working in a colonist's grocer's store. When the Portuguese leave, he takes over the store and begins his rise to wealth and power first through the heady days of the transition to independence, then becoming a corrupt bureaucrat as Angola joins the Soviet bloc, and onwards as an entrepreneur into the unrestrained capitalism and social upheaval of the 1990s, the civil war ever simmering in the background.
The action stretches from tribal herdsmen's villages seemingly untouched by civilisation, through Luanda's decaying urban sprawl, to life on campus in the United States for an Angolan exchange student. Caposso is the link that binds these disparate worlds together, his actions impacting on the lives of every one of the characters.
Following the strongly-drawn characters from the shanty towns to the mansions of the nouveau-riche with an engrossing plot, passionately written and keen to explain, there is no more readable introduction to Angola and its recent past.
In Jaime Bunda, agente secreto (“Jaime Bunda, Secret Agent”), the author has chosen the fat, unlucky trainee at Luanda’s secret police, as the protagonist of a crime story set in Luanda, where it is easier to find a Kalashnikov than an honest official. Jaime Bunda becomes a credible guide on an anything but touristy trail through the city of Luanda. He appears again in the following novel, Jaime Bunda e a morte do americano (“Jaime Bunda and the Death of the American”). Now he has to clear up the murder of an American engineer. Pepetela pokes fun at the Americans for their seemingly pathological anxiety of terror attacks as well as mocking the antiamericanism of the Angolans. The tensions within this country, which lives in constant political insecurity since its independence, are continuously present in Pepetela’s work.
Pepetela’s career as a writer started during the war for independence, when he wrote his first novel, Mayombe, published in 1980, in which he describes the conflicts in Angola’s fight for liberation.
His novels are mainly set against the backdrop of important historical events during almost a century of Angolan history. An essential theme of his work is the greatness and strength of past cultures still existing in modern Angola.
The ironical, merciless portrait of the country’s capital Luanda in O desejo de Kianda (“Kianda’s Desire”) shows a post-colonial Angola worn down and devastated by four decades of colonial and civil war. Geração da utopia (“The Generation of a Utopia”) provides a unique vision of the author’s own generation, its dreams of independence, its fights and victories, despair and hope.
O desejo de Kianda is perhaps the most clear-sighted and sober book by Pepetela, one of the best writers of the post-colonial generation. Pepetela succeeds in telling a wonderful tale of political corruption which is also a chronicle of the naked truth about the constant deterioration of living conditions in Angola.
For further information, please also visit:
Se o Passado Não Tivesse Asas
Lisbon: Dom Quixote 2016, 384 p.
O tímido e as mulheres
Lisbon: Dom Quixote 2013, 304 p.
Brazil: Leya 2014
À Sul. O Sombreiro
Lisbon: Dom Quixote 2011, 360 p.
Brazil: Leya 2011 ● Colombia: Uniandes 2016
O Planalto e a Estepe
Lisbon: Dom Quixote 2009, 190 p.
Brazil: Leya 2009 ● Estonia: Loomingu Raamatukogu 2013
O quase fim do mundo
Lisbon: Dom Quixote 2008, 384 p.
Brazil: Leya 2008
Colombia: Taller de Edicion Rocca ● Cuba: Arte y Literatura 2012
Argentina: EUDEBA ● Brazil: Leya 2007 ● Bulgaria: Five Plus 2009 ● Italy: Tuga Edizioni ● Netherlands: De Geus 2008
Brazil: Leya 2007 ● Cuba: Arte y Literatura 2011 ● Sweden: Panta Rei 2016
Brazil: Record 2003, Leya 2007 ● Cuba: Arte y Literatura 2010 ● Denmark: Hjulet 2002 ● France: Buchet Chastel 2005 ● German: Unionsverlag 2004, pb 2006 ● Italy: Edizioni E/O 2006 ● Mexico: Elefanta (several Latin American countries) ● Poland: Claroscuro 2010 ● Sweden: Panta Rei 2011 ● UK: Aflame 2006
Brazil: Nova Fronteira 1999, Leya 2007 ● Netherlands: Meulenhoff 2001 ● Norway: Cappelen 2006 ● Spain: Texto Editores 2006
Brazil: Nova Fronteira 2005, Leya 2011 ● Italy: Besa 2000 ● Norway: Cappelen 2003 ● Spain: Alianza 1999, Al otro lado ● Sweden: Tranan 2000
Brazil: Leya 2007 ● Finland: Helsinki University Press 2001 ● France: Actes Sud 2002 ● Greece: Kritiki 2001 ● Israel: Kinneret 2011 ● Italy: Lavoro 2010 ● Netherlands: De Geus 2011 ● Spain: Alianza 1999 ● UK:Heinemann 2002
Brazil: Nova Fronteira 2000, Leya 2011 ● Italy: Diabasis 2009 ● Spain: Txalaparta 2003
Belgium: Éperonniers 1992, ADEN (French) ● Germany: Volk und Welt 1988 ● UK: Heinemann 1996
Brazil: Leya 2007 ● Finland: Like 1991 ● Germany: Ed. Südliches Afrika 1986 ● Italy: Felici ● Sweden: Tranan 2005
A revolta da casa dos ídolos (theatre)
Lisbon: Edições 70, 1980, 157 p.
Brazil: Leya 2007 ● Chile: LOM ● Germany: Volk und Welt 1983, Ed. Südliches Afrika 1985 ● Italy:Lavoro 1989 (avail.) ● Japan: Ryokuchisha 1993 ● Spain: Txalaparta 1991, Ed. 62 (Catalan) 2010 ● UK: Heinemann 1994
As aventuras de Ngunga
Lisbon: Edições 70 1977, 128 p., Dom Quixote 2002
Angola: UEA 1977 ● Brazil: Ática 1980 ● Cuba: Gente Nueva 2010 ● Germany: Der Kinderbuch Verlag 1981 ● Russia: Khudozhestvenaia 1977 ● Spain: Txalaparta 1997 ● Spain (Basque): Txalaparta 1966 ● Sweden: Afrikagrupperna i Sverige 1983 ● South Africa: Mangalani ● UK: Writers and Readers Publ. Coop. 1980 ● Uruguay: Livros del Artillero, 1986
Crónicas com Fundo de Guerra
Lisbon: Ed. Nelson de Matos 2011, 216 p.
Contos de Morte
Lisbon: Ed. Nelson de Matos 2008, 94 p.
Participation in anthologies:
Germany: Arachner Verlag 2015